In the week of Valentine’s Day, the CRECS audience assembled to hear husband-and-wife team Professor John Strachan (Romantic scholar and Pro-Vice Chancellor for Research at Bath Spa University) and Dr Jane Moore (Reader in Romanticism at Cardiff University) address some burning questions about romance in the Romantic era. What can literary men and women of the period teach us about courtship, marriage, sex and love? Can they tell us how to be a good husband or a good wife? Or offer examples of how not to be? And what of same-sex partnerships? Jane represented the views of women writers of the period, including Jane Austen, Mary Wollstonecraft, and Letitia Elizabeth Landon; while John sifted the love lives of Lord Byron, Samuel Taylor Coleridge, William Wordsworth, and John Keats. Continue reading
Dale Townshend (University of Stirling) will be presenting his paper, ‘Horace Walpole’s Enchanted Castles’, at 5.30pm on Tuesday, 16 February 2016. The talk will take place in the Cardiff University’s John Percival Building, Room 4.43, and will be followed by a wine reception.
Ever since Horace Walpole in the second edition of The Castle of Otranto (1765) disclosed his authorship of his ‘Gothic Story’, it has been assumed that the ‘real’ and ‘particular’ castle to which he, in his guise as the ‘translator’ William Marshal, referred in the Preface to the first edition of the novel was Strawberry Hill, the ‘little Gothic castle’ in Twickenham that he had set about ‘Gothicizing’ since the late 1740s. As I seek to demonstrate in this paper, however, this is really only half of the story, for while the castle at Otranto certainly, as Walpole would later phrase it, ‘puts one in mind’ of Strawberry Hill, it also looks to the architectural formations of ‘ancient’ or ‘Gothic’ romance for its structure, its effects, and even its eventual disappearance. More specifically, I argue, Manfred’s castle at Otranto is, in a number of respects, a reworking of the trope of the enchanted castle that featured so prominently in the epic romances of Torquato Tasso, Ludovico Ariosto, Edmund Spenser, and others. And if The Castle of Otranto is, indeed, closely linked to Strawberry Hill, I argue that this is not simply because Walpole ‘writes’ his home into his novel, but because both fiction and house looked to the architectural structures of medieval romance as their ultimate point of inspiration. Having explored the trope of the enchanted castle as it figures in The Castle of Otranto and Walpole’s correspondence around Strawberry Hill, I conclude by tracing its uptake in the later Gothic dramas and fictions of Miles Peter Andrews, Clara Reeve, Anna Laetitia Aikin and Ann Radcliffe. Continue reading
How romantic were writers of the Romantic age? What can literary men and women of the period teach us about courtship, marriage, sex and love? Can they tell us how to be a good husband or a good wife? Or offer examples of how not to be? And what of same-sex partnerships? In the week of St Valentine’s Day, husband-and-wife team, Professor John Strachan (Romantic scholar and Pro-Vice Chancellor for Research at Bath Spa University) and Dr Jane Moore (Reader in Romanticism at Cardiff University), discuss these questions, and others, with reference to writers of the Romantic age.
- John will represent the views of the male poets, including Byron, Coleridge, Wordsworth and Shelley.
- On the distaff side, Jane will focus on writers including Jane Austen and Mary Wollstonecraft as well as the poets, Felicia Hemans, ‘L.E.L.’ (Letitia Elizabeth Landon) and Mary Lamb.
- As usual, there will be plenty of time for plenty of discussion about the issues raised after the presentations.
- The evening will finish with a drinks and snacks reception.
Join us on 8 February 2016, in Lecture Theatre 0.36 in the John Percival Building. The event will start at 5.15pm and will be followed by refreshments, as usual.